Nadezhda Bandelet-Golender
Classical Vocals
Nadezhda Andreevna combines classical vocal training with extensive experience in dramatic theatre. Her repertoire includes Tatiana in Tchaikovsky’s Eugene Onegin, Tosca in Puccini’s opera of the same name, Marguerite in Gounod’s Faust, Nedda in Leoncavallo’s Pagliacci, and other roles that demand both exceptional vocal technique and compelling acting skills.
She studied under Saodat Kobulova, People’s Artist of the USSR, and graduated from the State Conservatory of Uzbekistan in 2002. In 2004, she joined the trainee ensemble of the Alisher Navoi Theatre and later became one of its soloists. Her performance experience includes works by Uzbek and international composers, Verdi’s Requiem, and Handel’s Messiah.
An important part of her artistic career is connected with the Ilkhom Theatre. Nadezhda Andreevna has performed in productions such as Free Romance by Mark Weil, Phaedra by Vladimir Pankov, The Twelve Labors of Hercules by Yuri Kvyatkovsky, and other theatrical works. This experience allows her to approach vocal performance from both a musical and dramatic perspective.
For students, lessons with Nadezhda Andreevna offer an opportunity to experience professional vocal artistry and understand how the voice can convey character, emotion, and the meaning of a musical work. Learning alongside a teacher who performs demanding operatic roles allows children to discover the expressive possibilities of singing and explore music through authentic stage experience.
She studied under Saodat Kobulova, People’s Artist of the USSR, and graduated from the State Conservatory of Uzbekistan in 2002. In 2004, she joined the trainee ensemble of the Alisher Navoi Theatre and later became one of its soloists. Her performance experience includes works by Uzbek and international composers, Verdi’s Requiem, and Handel’s Messiah.
An important part of her artistic career is connected with the Ilkhom Theatre. Nadezhda Andreevna has performed in productions such as Free Romance by Mark Weil, Phaedra by Vladimir Pankov, The Twelve Labors of Hercules by Yuri Kvyatkovsky, and other theatrical works. This experience allows her to approach vocal performance from both a musical and dramatic perspective.
For students, lessons with Nadezhda Andreevna offer an opportunity to experience professional vocal artistry and understand how the voice can convey character, emotion, and the meaning of a musical work. Learning alongside a teacher who performs demanding operatic roles allows children to discover the expressive possibilities of singing and explore music through authentic stage experience.